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07-11-2012 Manuel Le Saux pres. Extrema 290

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Brett Wood and Nik Wilmott turn on the style for Slinky with this cool tech-trance bomb.

Expect tight production and loads of big riff action on this stunning peak timer supported by remixes from trance man of the moment Darren Porter and Digital Self & TeK-tonic.

Nice pick of tune Manuel :dance:

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:rave:
 
Just super Impressed with this guy James Dymond.
 
1233 Listeners ~ Manuel Le Saux pres. Extrema 290 on AH.FM

01 - Witness 45 & Poonyk - Day By Day (Original Dub Mix)
02 - Dimension - Shoco (Falcon Remix)
03 - Alex Larichev - Operatic (Matt Bukovski Remix)
04 - Chris Metcalfe - Power Trip (Original Mix)
05 - Estigma feat. Ren - Heartbeat (Kaimo K's Dub Solution)
06 - Tonny Nesse - Hole In The Sky (Arctic Moon Remix)
07 - Brett Wood & Nik Wilmott - I'm Watching You (Darren Porter Remix)
08 - Orla Feeney & Lisa Lashes - Mind Control (James Dymond Remix)
Just super Impressed with this guy James Dymond.




James Dymond
James Dymond
Discography at Discogs :book:
Images for James Dymond
Real Name: James Dymond


Genres: Trance / Tech-Trance / Progressive
Profile: DJ and Producer













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Nice combo James Dymond remixing a lisa lashes track :D:D
 
:super::super::bravo:
 
01 - Witness 45 & Poonyk - Day By Day (Original Dub Mix)
02 - Dimension - Shoco (Falcon Remix)
03 - Alex Larichev - Operatic (Matt Bukovski Remix)
04 - Chris Metcalfe - Power Trip (Original Mix)
05 - Estigma feat. Ren - Heartbeat (Kaimo K's Dub Solution)
06 - Tonny Nesse - Hole In The Sky (Arctic Moon Remix)
07 - Brett Wood & Nik Wilmott - I'm Watching You (Darren Porter Remix)
08 - Orla Feeney & Lisa Lashes - Mind Control (James Dymond Remix)
09 - Jamie Drummond - Orphan (Original Mix)
 
If you thought Joyride was an explosion of energy you would be surprised how Orphan sounds like when you turn up the volume. The buildup of this track is immensely powerful and definitely the kind of stuff you expected Indecent Noise wants for his label. When this huge buildup is over you will get treated by a lovely sort of like riff as in Joyride, but the main difference between these two tracks are the climaxes. Where 'Joyride' takes the melodic path all the way, Jamie chose to drop the riff and transformed 'Orphan' into a full tech trancer. This works out just perfectly. What an energy!
 
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