LeeJ Pres. - Tranceality 081 on AH.FM 08-06-2025

Henry Moe

Henry Moe is a Melbourne-based music producer known for his emotionally charged and high-energy trance productions. With a signature sound that blends euphoric melodies and driving rhythms, Henry has quickly carved out a place in the global trance scene. His music has been featured and played on iconic platforms such as Black Hole Recordings, Future Sound of Egypt (FSOE), and at world-renowned festivals including Luminosity Festival, UNTOLD, and Dreamstate. Henry's releases span some of the most respected trance and progressive labels in the industry, including Nocturnal Knights Music, Regenerate Records, AVA Recordings, Enhanced Recordings, Monster Tunes, Digital Society, and many more. With a growing discography and presence on the international stage, Henry Moe continues to captivate listeners and push the boundaries of melodic and uplifting trance.
Bryce Keuris

Bryce Keuris is an Australian-Dutch trance producer based in Melbourne, Australia, creating music that weaves emotion, energy, and atmosphere into every track. With a strong foundation as a musician, having played guitar for over a decade and piano for five years, Bryce brings a unique melodic sensibility and instrumental depth to his productions. Influenced by John O’Callaghan, Giuseppe Ottaviani, Aly & Fila, Factor B, and more, his sound pays homage to the golden era of trance while carving out a fresh, forward-thinking identity. Each track is a blend of uplifting emotion and powerful energy, crafted for both intimate listening and peak-time sets. Signed to the respected label Nocturnal Knights, Bryceis steadily building a reputation for delivering high-quality, melodic trance rooted in strong musicality and a clear artistic vision.
 
God Help Me
God Help Me, the foremost single of Plumbs 2018 album, Beautifully Broken, gets a wicked, emotional and thoroughly uplifting remake from none other than Bryan Kearney. With proper energy, a stellar melody and a vocal laden with heartfelt emotion, Gold Help Me has been a staple in Bryan Kearneys sets for the past two years, and will continue to wow listeners and crowds for a long time to come.
 
Bryan Kearney

Whether you know him for Kearney, Karney, Kearnage or Key4050, under ‘K’ in electronic music’s encyclopedia is where you’ll find him. Powered by life, musically Bryan’s either done it, is about to … or it just ain’t his thing. Covering the broadest-of-broad electronic music scopes, ‘energy’s Kearney’s only keyword … and ‘why limit yourself?’ his only maxim. Where those points cross lies the ignition for every one of his K-initialled enterprises. Many will best recognise him for his solo work, or his smartly cultivated production/vocal team-ups – ones that have brought a convoy of floorward-thinking anthems and future classics to fans. Notably among them have been two ASOT Tunes of The Year (most recently with 2022’s Plumb-sung ‘Take This’). Under his Karney mask, tech-infected numbers like ‘Snarl’, ‘Rumination’, ‘Smiler’ and ‘Compromise’ have served his darker, dirtier studio inclinations, finding set-favour with scene icons like Adam Beyer and others. Through their back-to-the-roots ‘Tales Of The Temple’ project and globe-circling shows, as Key4050, he and John O’Callaghan elevated the collaboration dynamic to an entirely new level. However, it is as a standalone artist and mainstage operator that he’s today most swiftly recognised. He’s a DJ who can read an audience’s innermost desires at a thousand yards and hold them rapt in his palm for seven or more concert-performing hours. Be it Kearney, Karney, Kearnage or Key4050, his position in electronic music’s hall of fame’s long since been secured … Find him there under ‘K’.
 
LeeJones said:
God Help Me
God Help Me, the foremost single of Plumbs 2018 album, Beautifully Broken, gets a wicked, emotional and thoroughly uplifting remake from none other than Bryan Kearney. With proper energy, a stellar melody and a vocal laden with heartfelt emotion, Gold Help Me has been a staple in Bryan Kearneys sets for the past two years, and will continue to wow listeners and crowds for a long time to come.
Click to expand...
:dancing:
 
LeeJones said:
Bryan Kearney

Whether you know him for Kearney, Karney, Kearnage or Key4050, under ‘K’ in electronic music’s encyclopedia is where you’ll find him. Powered by life, musically Bryan’s either done it, is about to … or it just ain’t his thing. Covering the broadest-of-broad electronic music scopes, ‘energy’s Kearney’s only keyword … and ‘why limit yourself?’ his only maxim. Where those points cross lies the ignition for every one of his K-initialled enterprises. Many will best recognise him for his solo work, or his smartly cultivated production/vocal team-ups – ones that have brought a convoy of floorward-thinking anthems and future classics to fans. Notably among them have been two ASOT Tunes of The Year (most recently with 2022’s Plumb-sung ‘Take This’). Under his Karney mask, tech-infected numbers like ‘Snarl’, ‘Rumination’, ‘Smiler’ and ‘Compromise’ have served his darker, dirtier studio inclinations, finding set-favour with scene icons like Adam Beyer and others. Through their back-to-the-roots ‘Tales Of The Temple’ project and globe-circling shows, as Key4050, he and John O’Callaghan elevated the collaboration dynamic to an entirely new level. However, it is as a standalone artist and mainstage operator that he’s today most swiftly recognised. He’s a DJ who can read an audience’s innermost desires at a thousand yards and hold them rapt in his palm for seven or more concert-performing hours. Be it Kearney, Karney, Kearnage or Key4050, his position in electronic music’s hall of fame’s long since been secured … Find him there under ‘K’.
Click to expand...
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