SUNNY TOMORROW
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- Dec 12, 2007
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Mystic Pizza
Made in 1988. Mystic Pizza_ would be remembered, if for no other reason, as the film that first made us pay attention to Julia Roberts. It also showcases the early talents of several other actors who later rose to some success and fame in the movies: Lili Taylor and Vincent Phillip D'Onofrio among them. Others in the cast have perhaps deserved better in their careers than they achieved, especially Annabeth Gish, but here they shine fresh and alive.Actually, the entire ensemble cast, including the minor parts, is excellent -- natural, unaffected, convincing performances. The story concentrates on three young women on the cusp of new lives -- marriage, college, responsibility -- and tracks them through that special summer between the childhood and adulthood. I think it was more unusual in 1988 to show female friendships and a female point of view than has perhaps become ten years later. The women are smart and individualized, surprising and interesting as people.
The men are less so. D'Onofrio has the most fully realized male character, the young fisherman who wants commitment, who wants to be more to his girl than just a sexual aid. The other two men, one a preppie in rebellion and the other a middle-aged married man looking for something he left behind, are mostly just occasions for the women to find some new grounding and growth. I am also very fond of this film for its insistence on finding one's way in the world by first finding out what is right thing to do, the right way to live.
Made in 1988. Mystic Pizza_ would be remembered, if for no other reason, as the film that first made us pay attention to Julia Roberts. It also showcases the early talents of several other actors who later rose to some success and fame in the movies: Lili Taylor and Vincent Phillip D'Onofrio among them. Others in the cast have perhaps deserved better in their careers than they achieved, especially Annabeth Gish, but here they shine fresh and alive.Actually, the entire ensemble cast, including the minor parts, is excellent -- natural, unaffected, convincing performances. The story concentrates on three young women on the cusp of new lives -- marriage, college, responsibility -- and tracks them through that special summer between the childhood and adulthood. I think it was more unusual in 1988 to show female friendships and a female point of view than has perhaps become ten years later. The women are smart and individualized, surprising and interesting as people.
The men are less so. D'Onofrio has the most fully realized male character, the young fisherman who wants commitment, who wants to be more to his girl than just a sexual aid. The other two men, one a preppie in rebellion and the other a middle-aged married man looking for something he left behind, are mostly just occasions for the women to find some new grounding and growth. I am also very fond of this film for its insistence on finding one's way in the world by first finding out what is right thing to do, the right way to live.
