ever heard of Eastbam, he used to "spin" tapes at a time when his native Latvia was still part of the USSR
goa gil does that too



ever heard of Eastbam, he used to "spin" tapes at a time when his native Latvia was still part of the USSR
Dont particularly care - trance is trance whichever medium it is created in![]()
nuff said
PS: good thing DJ lithium doesnt visit the AH forums regarding this topic![]()
if you want to be taken seriously, 1) get rid of the color, 2) spell properly, and 3) bring some actual arguments. otherwise you're making a joke out of yourself.
if you want to be taken seriously, 1) get rid of the color, 2) spell properly, and 3) bring some actual arguments. otherwise you're making a joke out of yourself.
Of course no.
If it was like that, we'd have ended up having every third person being a dj, which of course is sheer bull. To be a DJ does require something more relevant than setting up a pirate software, applying horrible mixing with a bunch of random pirate tracks and exporting an mp3.
Don't really care how it is mixed as long as it's done properly and there are good tracks.
Furthermore I don't think many people hear the difference.![]()
goa gil does that too
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I've been to a club in belfast called "shine"
(alot of progressive and tech stuff is payed there, good club)
The dj was mixing entirely from his laptop..
The dancefloor was pumping
U gotta stick with the times, and computers are as much the future as they are the present.
I think using a "program" to mix "live" to an audience, would therefore enable the person to be called a "DJ".
Recently I had the chance to tour with Delerium, where we played theaters and ballrooms across the US and Canada rather than the usual DJ booths in clubs. It was a refreshing change, but also an important reminder that you need to keep your live shows fresh and interesting. Crowds want to see a compelling performance—watching some well-coiffed chubster spinning on a pair of CDJs really isn’t that exciting. The beauty of the software world, when paired with a hardware controller, is that you can change your setup to suit your tastes. You’re not married to the effects on your DJ mixer, and you can piece together your dream mixer from scratch—making changes on the plane or in the hotel room minutes before a gig. Everyone does it differently, and most people immediately take off the preset overlay and stash it with the manual, so I wanted to share some tips and techniques on how to spice up your rig.
My DJ setup consists of an Allen & Heath Xone 3D mixer and Ableton Live 7 software. Make the jump for some ways I set things up for my shows…